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看懂她们,才看懂了《繁花》
2024-01-17 23:06:27 来源:妙辞帮中高考单词微信小程序 阅读:279


《繁花》落尽,余味不散。



  开播前不被各方人马看好的《繁花》口碑一路走高,成了真正意义上的2024开年第一爆。尽管剧播结束,围绕它的讨论依然层出不穷,从上海美食到股市商战,从视听语言到人物分析,都被拆解了个遍。


  导演王家卫此前曾在采访中说,“两面性”可以运用在剧中的所有人物。宝总和阿宝、和平饭店和夜东京、黄浦江和苏州河、黄河路和进贤路,某种程度上都有着对照组的关系。


如果把这句话套用在女性角色上,李李、玲子和汪小姐可以看作是《繁花》花团锦簇的那一面,那卢美琳、梅萍、小江西大抵就是草木萧疏的另一面,却又比搅弄风云的主角们更能代表大多数人的人生。


  · 卢美琳


  卢美琳刚出场的时候,会让人觉得太吵。声若洪钟,走路带风,不是春风拂面的那种风,是能把人吹个大跟头的狂风。


  狂也是真的狂,下巴永远往上扬,看人是用余光打量,意思是你还不值当老娘用正眼瞧。气焰是嚣张了些,但这样一个卢美琳往那一站,观众会相信她能镇得住黄河路上的场子。


去夜东京找玲子要说法、带头砸李李的场子,这个时候的卢美琳是聒噪的、讨厌的,小丑式的,却也是符合她彼时彼刻的人物逻辑的——


  卢美琳不像玲子、汪小姐有宝总这条人脉,也不像李李一样有深圳资本作为后台,她连自己的老公都是个只会赌钱的大草包。“金美林”这家饭店是卢美琳在黄河路的立身之本,也是她的一切,她比任何人都恐惧失去。


 要让一个刚强的角色显得立体、复杂,不是往强了看,而是往弱了看。卢美琳在《繁花》中最动人的三场戏,也都是在这个角色示弱的时候。


  第一场戏是去至真园砸场子失败后,卢美琳和杜红根开始翻旧账,一顿“哇啦哇啦”就谈到了两个人的过往,上一秒歇斯底里的卢美琳像是被针扎了一下,愤怒慢慢泄掉,眼睛里比愤怒更浓的是哀伤。脸上没有泪,但声音里已经带了哭腔。


这场戏过后,大家开始好奇卢美琳和杜红根之间的故事,卢美琳从“老板娘”这个标签化的身份中跳脱了出来,成为一个更具体的人。


  第二场戏是在打了宝总耳光之后,这个耳光是为自己的男人金老板争面子,也是在考验卢美琳的胆子。有看热闹不嫌事大的人已经说了,“黄河路上啥人敢打宝总啊?”宝总手眼通天,谁知道他会不会在别的地方报复?就算宝总不计较,还有一大把朋友想着替他计较回来。换言之,这个耳光打出去,卢美琳是要担风险的。


 但她还是打了,还打得响亮又实在。打完之后的表情却不是扬眉吐气,而是转头看了金老板一眼,面容惨淡。我想这一刻她已经察觉到了金老板和小江西的情事,两相对比,既怒其不争又哀其不幸,前者是为金老板,后者却是为自己。


 第三场戏就是最后这场了,金老板跳楼,卢美琳筹不到钱败从黄河路黯然退场。但当她走出至真园之后,坐上了杜红根的车,人却依然昂着头。


  演员范湉湉自述,当时这场戏的通告单上写的是让美琳把头靠在杜红根的肩膀上,她却觉得这不符合卢美琳的人设,“输了就是输了,潇洒离场,这才是卢美琳的性格。”真正拍摄完之后,导演也觉得这样的处理方式更好,最终选用了这一版。

再见亦是初见,离场也是开场,卢美琳的这口气终归是没有散掉。


  · 梅萍


  严格来说,梅萍这个角色比卢美琳更像是这部剧的“反派”。


  一是因为卢美琳虽然给李李使绊子但最后并没有实际威胁到至真园,但梅萍的举报却实实在在地扭转了汪小姐的命运;二是卢美琳所有心思都写在脸上,梅萍却属于“蔫坏”,平常不显山不露水,但关键时刻捅你一刀都专挑最致命的地方捅。


  代入我们自己的职场,真小人和伪君子,也一定是更提防后者。


 卢美琳有自己的感情线,有一段轰轰烈烈又不为观众知的过去,人物线相对更完整;而梅萍打从一出场,就是处在边缘的、不起眼的,剧里关于她个人的戏份少之又少,就连敏敏都有一个小姐妹团(敏敏、小江西和露丝),梅萍却像是被抹去了所有信息。你不知道她从何处来,也不知道她住在哪里、有没有自己的朋友。她所有的身份都跟汪小姐有关——


  汪小姐的同事、比汪小姐资历老、汪小姐之前最先接触三羊项目的外贸员。


娱乐看点>正文

看懂她们,才看懂了《繁花》

看懂她们,才看懂了《繁花》

47



  《繁花》落尽,余味不散。


  开播前不被各方人马看好的《繁花》口碑一路走高,成了真正意义上的2024开年第一爆。尽管剧播结束,围绕它的讨论依然层出不穷,从上海美食到股市商战,从视听语言到人物分析,都被拆解了个遍。


  导演王家卫此前曾在采访中说,“两面性”可以运用在剧中的所有人物。宝总和阿宝、和平饭店和夜东京、黄浦江和苏州河、黄河路和进贤路,某种程度上都有着对照组的关系。



  如果把这句话套用在女性角色上,李李、玲子和汪小姐可以看作是《繁花》花团锦簇的那一面,那卢美琳、梅萍、小江西大抵就是草木萧疏的另一面,却又比搅弄风云的主角们更能代表大多数人的人生。


  · 卢美琳


  卢美琳刚出场的时候,会让人觉得太吵。声若洪钟,走路带风,不是春风拂面的那种风,是能把人吹个大跟头的狂风。


  狂也是真的狂,下巴永远往上扬,看人是用余光打量,意思是你还不值当老娘用正眼瞧。气焰是嚣张了些,但这样一个卢美琳往那一站,观众会相信她能镇得住黄河路上的场子。



  去夜东京找玲子要说法、带头砸李李的场子,这个时候的卢美琳是聒噪的、讨厌的,小丑式的,却也是符合她彼时彼刻的人物逻辑的——


  卢美琳不像玲子、汪小姐有宝总这条人脉,也不像李李一样有深圳资本作为后台,她连自己的老公都是个只会赌钱的大草包。“金美林”这家饭店是卢美琳在黄河路的立身之本,也是她的一切,她比任何人都恐惧失去。


(这个镜头暴露了卢美琳比任何人都担心宝总真的能为李李搬来救兵▲)

  要让一个刚强的角色显得立体、复杂,不是往强了看,而是往弱了看。卢美琳在《繁花》中最动人的三场戏,也都是在这个角色示弱的时候。


  第一场戏是去至真园砸场子失败后,卢美琳和杜红根开始翻旧账,一顿“哇啦哇啦”就谈到了两个人的过往,上一秒歇斯底里的卢美琳像是被针扎了一下,愤怒慢慢泄掉,眼睛里比愤怒更浓的是哀伤。脸上没有泪,但声音里已经带了哭腔。



  这场戏过后,大家开始好奇卢美琳和杜红根之间的故事,卢美琳从“老板娘”这个标签化的身份中跳脱了出来,成为一个更具体的人。


  第二场戏是在打了宝总耳光之后,这个耳光是为自己的男人金老板争面子,也是在考验卢美琳的胆子。有看热闹不嫌事大的人已经说了,“黄河路上啥人敢打宝总啊?”宝总手眼通天,谁知道他会不会在别的地方报复?就算宝总不计较,还有一大把朋友想着替他计较回来。换言之,这个耳光打出去,卢美琳是要担风险的。



  但她还是打了,还打得响亮又实在。打完之后的表情却不是扬眉吐气,而是转头看了金老板一眼,面容惨淡。我想这一刻她已经察觉到了金老板和小江西的情事,两相对比,既怒其不争又哀其不幸,前者是为金老板,后者却是为自己。



  第三场戏就是最后这场了,金老板跳楼,卢美琳筹不到钱败从黄河路黯然退场。但当她走出至真园之后,坐上了杜红根的车,人却依然昂着头。


  演员范湉湉自述,当时这场戏的通告单上写的是让美琳把头靠在杜红根的肩膀上,她却觉得这不符合卢美琳的人设,“输了就是输了,潇洒离场,这才是卢美琳的性格。”真正拍摄完之后,导演也觉得这样的处理方式更好,最终选用了这一版。



  再见亦是初见,离场也是开场,卢美琳的这口气终归是没有散掉。


  · 梅萍


  严格来说,梅萍这个角色比卢美琳更像是这部剧的“反派”。


  一是因为卢美琳虽然给李李使绊子但最后并没有实际威胁到至真园,但梅萍的举报却实实在在地扭转了汪小姐的命运;二是卢美琳所有心思都写在脸上,梅萍却属于“蔫坏”,平常不显山不露水,但关键时刻捅你一刀都专挑最致命的地方捅。


  代入我们自己的职场,真小人和伪君子,也一定是更提防后者。



  卢美琳有自己的感情线,有一段轰轰烈烈又不为观众知的过去,人物线相对更完整;而梅萍打从一出场,就是处在边缘的、不起眼的,剧里关于她个人的戏份少之又少,就连敏敏都有一个小姐妹团(敏敏、小江西和露丝),梅萍却像是被抹去了所有信息。你不知道她从何处来,也不知道她住在哪里、有没有自己的朋友。她所有的身份都跟汪小姐有关——


  汪小姐的同事、比汪小姐资历老、汪小姐之前最先接触三羊项目的外贸员。



  这也是梅萍心里最在意的地方,结局里宝总替汪小姐抱不平,梅萍的第一反应是,这是你宝总第一次跟我说一句完整的话。

 之前微博上有句话被疯转过,“这种人活着就是对我的挑衅!”说来说去,梅萍的心态也不过是很多普通人都会有的心态罢了。


  诚然,梅萍是黄河路上的配角,连小人物都算不上,但最后,她用自己的方式给杰克苏大男主上了一课:没有人天生是主角,做惯了主角的人,也还是别忘记怎么当配角为好。


Only by understanding them did I understand "The Flowers"

After the fall of "The Flowers", the aftertaste lingers.

The reputation of "Fanhua", which was not favored by all parties before its broadcast, has been steadily increasing, becoming the true first explosion of the 2024 season. despite the end of the drama, discussions surrounding it continue to emerge endlessly, from Shanghai cuisine to stock market business wars, from audio-visual language to character analysis, all of which have been dismantled.

Director Wong Kar wai previously stated in an interview that "duality" can be applied to all characters in the play. Bao and A Bao, Peace Hotel and Night Tokyo, Huangpu River and Suzhou River, Huanghe Road and Jinxian Road all have a control group relationship to some extent.

If this statement is applied to female characters, Li Li, Lingzi, and Miss Wang can be seen as the colorful side of "The Flowers", while Lu Meilin, Mei Ping, and Xiao Jiangxi are probably the other side of the sparse grass and trees, but they can better represent the lives of most people than the protagonists who stir up the wind and clouds.

·Lu Meilin

When Lu Meilin first appears, it makes people feel too noisy. The sound is like a bell, walking with the wind. It's not the kind of spring breeze that blows your face, it's the kind of strong wind that can make you somersault.

Madness is also true madness. Your chin always rises, and when you look at people, you use extra light to look at them, which means you are not worth looking at as an old lady with a straight eye. The aura was a bit arrogant, but with such a Lu Meilin, the audience would believe that she could handle the scene on the Yellow River Road.

Go to Tokyo at night to ask Lingzi for an explanation and lead the way in smashing Li Li's scene. At this time, Lu Meilin is noisy, annoying, and clownish, but it also conforms to her character logic at that time——

Lu Meilin doesn't have the network of Mr. Bao like Lingzi and Miss Wang, nor does she have Shenzhen Capital as a backstage like Li Li. She even has her husband as a big rascal who only knows how to gamble. The restaurant "Jinmeilin" is the foundation of Lu Meilin's presence on Huanghe Road, and it is also everything she has. She is more afraid of losing than anyone else.

To make a strong character appear three-dimensional and complex, it's not about looking stronger, but about looking weaker. Lu Meilin's three most touching scenes in "Flowers" are also when this character shows weakness.

The first scene was when Lu Meilin and Du Honggen went to Zhenyuan to smash the scene but failed. They started to dig up old accounts and talked about their past after a "whoa whoa whoa". In the previous second, Lu Meilin was hysterical as if she had been pricked by a needle, and her anger slowly dissipated, with sadness in her eyes that was even stronger than anger. There were no tears on the face, but there was already a crying tone in the voice.

After this scene, everyone began to be curious about the story between Lu Meilin and Du Honggen. Lu Meilin broke free from the label identity of "boss lady" and became a more specific person.

The second scene is after slapping Mr. Bao, which is to save face for his man, Mr. Jin, and also to test Lu Meilin's courage. Someone who doesn't mind the excitement has already said, "Who dares to fight against Mr. Bao on the Yellow River?" Mr. Bao has everything in his mind. Who knows if he will retaliate elsewhere? Even if Mr. Bao doesn't care, there are still many friends who want to argue for him. In other words, if this slap goes out, Lu Meilin will have to take risks.

But she still fought, playing loudly and realistically. After finishing the fight, his expression was not that of raising his eyebrows and exhaling, but of turning his head to look at Mr. Jin with a gloomy expression. I think at this moment, she had already sensed the situation between Mr. Jin and Xiao Jiangxi. In contrast, she was both angry and sorrowful. The former was for Mr. Jin, while the latter was for herself.

The third scene is the final one, where Boss Jin jumps off a building and Lu Meilin fails to raise enough money to exit from the Yellow River Road. But when she walked out of Zhizhen Garden and got into Du Honggen's car, she still held her head high.

Actor Fan Tiantian recounted that at the time, the notice for this scene stated that Meilin should lean her head on Du Honggen's shoulder. However, she felt that this did not conform to Lu Meilin's character. "Losing means losing, leaving gracefully is Lu Meilin's personality." After the actual filming was completed, the director also felt that this approach was better, and ultimately chose this version.

Goodbye is also our first meeting, and leaving is also the beginning. Lu Meilin's tone never dissipated.

·Mei Ping

Strictly speaking, Mei Ping is more like the villain of this drama than Lu Meilin.

One reason is that although Lu Meilin tripped up Li Li, she did not actually threaten Zhi Zhenyuan in the end. However, Mei Ping's report actually reversed Miss Wang's fate; Secondly, all of Lu Meilin's thoughts are written on her face, while Mei Ping belongs to the category of "wilting and bad". She usually doesn't show off her beauty, but when she stabs you at a critical moment, she specifically targets the most deadly spot.

Entering our own workplace, both petty people and hypocrites must be more cautious of the latter.

Lu Meilin has her own emotional storyline, a grand yet unknown past, and a relatively more complete character line; Mei Ping, however, has been on the edge since her debut. There are very few scenes about her in the play. Even Min Min has a small group of sisters (Min Min, Xiao Jiangxi and Ruth). Mei Ping seems to have erased all information. You don't know where she comes from, nor do you know where she lives or if she has any friends of her own. All her identities are related to Miss Wang——

Ms. Wang's colleague, who is older in qualifications than Ms. Wang and was the first foreign trade worker to come into contact with the Sanyang project before Ms. Wang.

Entertainment highlights>Main text

Only by understanding them did I understand "The Flowers"

Only by understanding them did I understand "The Flowers"

forty-seven

After the fall of "The Flowers", the aftertaste lingers.

The reputation of "Fanhua", which was not favored by all parties before its broadcast, has been steadily increasing, becoming the true first explosion of the 2024 season. Despite the end of the drama, discussions surrounding it continue to emerge endlessly, from Shanghai cuisine to stock market business wars, from audio-visual language to character analysis, all of which have been dismantled.

Director Wong Kar wai previously stated in an interview that "duality" can be applied to all characters in the play. Bao and A Bao, Peace Hotel and Night Tokyo, Huangpu River and Suzhou River, Huanghe Road and Jinxian Road all have a control group relationship to some extent.

If this statement is applied to female characters, Li Li, Lingzi, and Miss Wang can be seen as the colorful side of "The Flowers", while Lu Meilin, Mei Ping, and Xiao Jiangxi are probably the other side of the sparse grass and trees, but they can better represent the lives of most people than the protagonists who stir up the wind and clouds.

·Lu Meilin

When Lu Meilin first appears, it makes people feel too noisy. The sound is like a bell, walking with the wind. It's not the kind of spring breeze that blows your face, it's the kind of strong wind that can make you somersault.

Madness is also true madness. Your chin always rises, and when you look at people, you use extra light to look at them, which means you are not worth looking at as an old lady with a straight eye. The aura was a bit arrogant, but with such a Lu Meilin, the audience would believe that she could handle the scene on the Yellow River Road.

Go to Tokyo at night to ask Lingzi for an explanation and lead the way in smashing Li Li's scene. At this time, Lu Meilin is noisy, annoying, and clownish, but it also conforms to her character logic at that time——

Lu Meilin doesn't have the network of Mr. Bao like Lingzi and Miss Wang, nor does she have Shenzhen Capital as a backstage like Li Li. She even has her husband as a big rascal who only knows how to gamble. The restaurant "Jinmeilin" is the foundation of Lu Meilin's presence on Huanghe Road, and it is also everything she has. She is more afraid of losing than anyone else.

(This scene reveals that Lu Meilin is more worried than anyone that Mr. Bao can really bring in reinforcements for Li Li ▲)

To make a strong character appear three-dimensional and complex, it's not about looking stronger, but about looking weaker. Lu Meilin's three most touching scenes in "Flowers" are also when this character shows weakness.

The first scene was when Lu Meilin and Du Honggen went to Zhenyuan to smash the scene but failed. They started to dig up old accounts and talked about their past after a "whoa whoa whoa". In the previous second, Lu Meilin was hysterical as if she had been pricked by a needle, and her anger slowly dissipated, with sadness in her eyes that was even stronger than anger. There were no tears on the face, but there was already a crying tone in the voice.

After this scene, everyone began to be curious about the story between Lu Meilin and Du Honggen. Lu Meilin broke free from the label identity of "boss lady" and became a more specific person.

The second scene is after slapping Mr. Bao, which is to save face for his man, Mr. Jin, and also to test Lu Meilin's courage. Someone who doesn't mind the excitement has already said, "Who dares to fight against Mr. Bao on the Yellow River?" Mr. Bao has everything in his mind. Who knows if he will retaliate elsewhere? Even if Mr. Bao doesn't care, there are still many friends who want to argue for him. In other words, if this slap goes out, Lu Meilin will have to take risks.

But she still fought, playing loudly and realistically. After finishing the fight, his expression was not that of raising his eyebrows and exhaling, but of turning his head to look at Mr. Jin with a gloomy expression. I think at this moment, she had already sensed the situation between Mr. Jin and Xiao Jiangxi. In contrast, she was both angry and sorrowful. The former was for Mr. Jin, while the latter was for herself.

The third scene is the final one, where Boss Jin jumps off a building and Lu Meilin fails to raise enough money to exit from the Yellow River Road. But when she walked out of Zhizhen Garden and got into Du Honggen's car, she still held her head high.

Actor Fan Tiantian recounted that at the time, the notice for this scene stated that Meilin should lean her head on Du Honggen's shoulder. However, she felt that this did not conform to Lu Meilin's character. "Losing means losing, leaving gracefully is Lu Meilin's personality." After the actual filming was completed, the director also felt that this approach was better, and ultimately chose this version.

Goodbye is also our first meeting, and leaving is also the beginning. Lu Meilin's tone never dissipated.

·Mei Ping

Strictly speaking, Mei Ping is more like the villain of this drama than Lu Meilin.

One reason is that although Lu Meilin tripped up Li Li, she did not actually threaten Zhi Zhenyuan in the end. However, Mei Ping's report actually reversed Miss Wang's fate; Secondly, all of Lu Meilin's thoughts are written on her face, while Mei Ping belongs to the category of "wilting and bad". She usually doesn't show off her beauty, but when she stabs you at a critical moment, she specifically targets the most deadly spot.

Entering our own workplace, both petty people and hypocrites must be more cautious of the latter.

Lu Meilin has her own emotional storyline, a grand yet unknown past, and a relatively more complete character line; Mei Ping, however, has been on the edge since her debut. There are very few scenes about her in the play. Even Min Min has a small group of sisters (Min Min, Xiao Jiangxi and Ruth). Mei Ping seems to have erased all information. You don't know where she comes from, nor do you know where she lives or if she has any friends of her own. All her identities are related to Miss Wang——

Ms. Wang's colleague, who is older in qualifications than Ms. Wang and was the first foreign trade worker to come into contact with the Sanyang project before Ms. Wang.

This is also the most important thing in Mei Ping's heart. In the ending, Mr. Bao always defended Miss Wang. Mei Ping's first reaction was that this was the first time Mr. Bao had said a complete sentence to me.

重点词汇

看懂 understand (by looking/reading)

繁花 〈书〉full-blown flowers ; flowers of different colours

余味 aftertaste ; remaining taste ; agreeable aftertaste ; pleasant impression

商战 commercial war ; trade war

拆解 disassemble ; take apart ; analyse (a chess game, magic, etc.)

两面性 dual character

黄浦江 the Huangpu River

进贤 recommend (or recruit) an able and virtuous person

某种程度上 To some extent ; in a way ; to some degree ; to a certain extent ; quite

对照组 control group

句子分析:

句子成分分析:(划分说明)  提示:框中标识可点击

Ms. Wang's colleague, (who is older [in qualifications] [than Ms. Wang] and was the first foreign trade worker to come into contact [with the Sanyang project] [before Ms. Wang]).

句子语法结构详解:

(older 为 old 的比较级形式)


* who 为关系代词,引导非限制性定语从句。

* is 为系动词作谓语,采用一般现在时。

* old 为形容词作表语。

* was 为系动词作谓语,采用一般过去时。

* to come 为不定式,作后置定语。

* Ms. Wang's 为名词所有格。the 为定冠词。


相关语法知识:

   非限制性定语从句

   系动词

   时态

   形容词的比较级和最高级

   表语

   并列连词

   不定式

   名词所有格


句子相关词汇解释:

Phrase:

come into... 1) 进入...  2) 继承(财产等), 得到


Vocabulary:

colleague ['kɔli:g] n. 同事,同僚

old [әuld] a. 1) 老的,年纪大的,不年轻的  2) 具体年龄,(多少)岁,年纪

qualification [,kwɔlifi'keiʃәn] n. 1) 资格,学历,资历  2) 限定条件

than [ðæn] prep. 比

and [ænd] conj. 1) 和, 与, 同, 并  2) 然后,接着

first [fә:st] a. 1) 第一的  2) 最初的; 最先的

foreign ['fɔ:rin] a. 1) 外国的  2) 涉外的, 外交的

trade [treid] n. 1) 贸易,买卖,商业,交易  2) 行业,职业,生意

worker ['wә:kә] n. 1) 劳工,工人  2) 工作者

contact ['kɔntækt] n. 1) 触摸,接触  2) (与某人或机构)联系,联络

project ['prɔdʒekt] n. 1) (生产或研究等)项目,方案,工程  2) 方案,计划

before [bi'fɔ:] prep. 1) (时间或顺序)在...之前  2) (位置)在...前面



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